Africa Cluster's contents tagged with "Networking"

Another Roadmap Africa Cluster (ARAC) participation in the #Im4thearts Capacity Building Winter School (22-24 June 2020)

Fri, 14 Aug 2020 14:32:11 +0000

Formed in January 2020, #Im4theArts is an artist-led movement for the rights of all workers in the South African arts sector with 18,000 Facebook and 800 formally registered members that are working for accountability and economic sustainability in the creative sector. The #Im4theArts Winter School was a response to members’ needs for capacity-building. As part of the Winer School, ARAC members Christian Nyampeta (Nyanza Working Group) and David Andrew (Johannesburg Working Group) participated in the first of three online Zoom sessions on the State of Arts Education in South Africa.

Speaking first, David Andrew offered an account of the process that resulted in the UNESCO Road Map for Arts Education. He did this with reference to the aims of the document presented at the World Conference on Arts Education in Lisbon, 2006, and the subsequent world conference whose findings are recorded in ‘The Seoul Agenda: Goals for the Development of Arts Education’ (2010). David ended his presentation with a discussion of Michael Wimmer’s blog piece titled From “The Seoul-Agenda” to “Another Road-Map for Arts Education” (March 2018) in which he acknowledges the deep-set problematics of the UNESCO processes and identifies the work of ARAC as constructively addressing these concerns.

Christian Nyampeta then went on to sketch the history and genesis of the history of the Another Roadmap School and the Africa Cluster in particular, spotlighting our efforts to supplement and critique the UNESCO processes, emphasising our focus on the histories of art/s education and our commitment to producing and sharing knowledge in forms that can be used meaningfully in African teaching and learning environments.

A Symposium on Art Pedagogies of the South in Kinshasa (January 2016)

Fri, 07 Aug 2020 19:28:57 +0000

In January 2016, David Andrew (Johannesburg Working Group), Emma Wolukau-Wanambwa (Kampala Working Group) and Patrick Mudekereza and Sari Middernacht (Lubumbashi Working Group) participated in the symposium Mediating Past, Present and Future: Dialogues with Global South Experiences at the Academy of Fine Art in Kinshasa, DRC, which brought together researchers, artists, art students, art teachers, policy makers, cultural producers, museum experts and exhibition makers to think about new paths in arts education.

An academically driven transdisciplinary gathering collectively organized by Wits School of the Arts in Johannesburg (ZA) and the Academy of Fine Art in Kinshasa, the symposium was organized as a workshop. The presentations alternated with focus group sessions, and the whole program was interspersed with visits to artist’s studios, cultural places in town and an evening of video art. This formula for discussion turned this academic event into an encounter, or to put it in the words of André Lye Yoka, des retrouvailles: "an event of reunions".

The focus group discussions handled themes ranging from “education/pedagogy from the south,” to “the decolonization of the art institution,” and from “artworks as history,” to “framing time and history,” “comparative methodologies,” and “imaging violence.” However, some topics recurred strikingly often, such as the role of avant-gardism or the frequent differences in local and international appreciation of art projects about versus from the Congo. Congolese initiatives, avant-garde movements and art historians seem to have difficulty achieving international recognition. On the other hand, initiatives promoted from outside triumph every time. In some cases the key probably lies in the frustrating feeling that such initiatives, for different reasons, are generating international appreciation because of “primitivist exoticism” and what is seen as “unbridled eccentricity.”

Read Sari Middernacht's report on the symposium here.

African Tertiary Arts Education Networking Event, Cape Town (30 November – 2 December 2015)

Fri, 07 Aug 2020 18:53:18 +0000

The African Arts Institute (AFAI) together with the Goethe-Institut South Africa, welcomed delegates from across the continent to the first African Tertiary Arts Education (ATAE) Networking Event. Hosted at Hiddingh Campus, University of Cape Town, the conference aimed to open up and discuss challenges currently facing arts education in Africa.

From left to right: Ruth Simbao (Rhodes University, Makhanda, ZA), Castro Kissiedu (Kwame Nkrumah Institute of Science and Technology, Kumasi, GH) & Emma Wolukau-Wanambwa (Kampala Working Group / Nagenda International Academy of Art & Design, Namulanda, UG).

Ten countries were represented by high-profile African leaders of formal tertiary and non-formal institutions engaged in arts education in an exclusive action-oriented networking event. To ensure the networking event remained focused, representative and interactive, participation was limited to active, key decision makers and professionals in the arts education space to network, exchange and identify key areas of concern and collaboration.

Taking place over two days, the meeting also aimed, among other things, to provide feedback sessions on the “Another Road Map for Arts Education” Africa Cluster, NEPAD Arts Education Conference recommendations and share new research on informal arts education in Africa.

Professor Mzobanzi Mboya, Head of the Education and Training Desk at NEPAD, welcomed delegates with an introduction of the challenges currently existing at a governmental and political level with regards to arts development and education. Emma Wolukau-Wanambwa (Kampala Working Group) in her capacity as Director of Research at the Nagenda International Academy of Art and Design in Uganda as well as a research fellow at the University of the Arts, Zurich, then presented a session ‘in conversation’ with Molema Moiloa, then head of VANSA, about the Goethe Institut research report Creating Spaces: Non-formal Arts Education and Vocational training for artists in Africa. Their conversation centred on questions that the report presents, including how creative practices and processes are constituted in Africa, what the structures across the continent that maintain, sustain and develop the arts are, and how western funding bodies dictate creative practices. The study also aimed to identify and study specific and innovative approaches, which were looked at in depth. (An ePub of Creating Spaces is free to download from here.)

An extended report on the African Tertiary Arts Education (ATAE) Networking Event can be found on the AFAI website..